Ostriches cross the open golden loess of the East Wind Plains under a storm sky, with a few of the band nearby.

Ordos loess · modern-day China

The East Wind Plains

The second place you can be born in Ice Age Life. The band here doesn’t follow the herds. It digs in.

Meet the land

The land you’ll live in

Other people chase.
We dig in and let the year come to us.

From the Staying Year, the East Wind Plains’ year in Ice Age Life
Three wild ostriches walk across golden loess under a storm sky, while two hide-clad people watch from a rocky rise and broken white eggshell lies in the foreground.

Ostriches cross the open ground.

They walk the plain in long loose lines, fast and wary. Gazelle and wild horses graze the same yellow grass.

The wind gives things back.

It keeps uncovering curved white shards of ostrich eggshell on the open loess. They’re light to carry, and you can drill them into beads.

The ground keeps the warmth.

The wind piled this soil deep and soft. It cuts easily and holds the day’s warmth into the cold night, so the people here dig in instead of moving on.

Windblown loess piled deep at the ice edge. Gazelle, ostrich, and wild horse cross the open yellow ground.From the East Wind Plains’ homeland card in the game.

Where on Earth

The Ordos loess,in today’s northern China.

The second homeland sits where the Yellow River bends around the Ordos, in what’s now Ningxia, China. The loess here is dust, carried in on the wind from the deserts to the northwest and piled up layer by layer over a very long time.

  • Homeland2 of 8
  • Opens afterthe Mammoth Steppe
  • Roughly38° N, 106° E

Windbreak is one of the bands dug into this bank.

A newcomer.
An old hand.

Oyuna, gray-haired and wearing red bead strands, grinds a disc of white eggshell on a flat stone while Khulan, seventeen, crouches beside her and watches. Behind them, Bayar digs into the loess bank with an antler pick.

Khulan, seventeen

She grew up walking after the ostriches. Her people never stay anywhere for long, and she’s just married into a band that never leaves.

Oyuna, the oldest

She’s drilled more eggshell beads than anyone in the band. She still breaks some, and it doesn’t bother her.

A story from Windbreak

The Wall

About 8 minutes

Khulan stands alone on top of the loess bank, holding her braid against the wind, watching a line of ostriches and her own people walk away across the plain.

Autumn

The morning they left

The ostriches went first. Khulan watched them from the top of the bank: a long loose line of them, heads up, walking south into the wind as if they had somewhere to be.

Her people went after them. They always did.

Below her, her sister Saya was tying the last of the water shells onto her pack. She did it badly on purpose, so it would take longer.

“You could still come,” Saya said, without looking up.

“I married him, Saya.”

“People unmarry.”

“Not in a morning.”

Their mother came over, put a hand on the back of Khulan's neck and held it there. She didn't say anything. She had said everything already, over the summer, while the two bands camped side by side and traded and the young people did what young people do when two bands camp side by side.

Then the Longstride people picked up their things and walked.

Khulan stayed on the bank until the line of them was the same size as the line of birds. Then the wind lifted a sheet of yellow dust across the plain and she couldn't see either.

Behind her, someone was already digging.

Bayar swings an antler pick into the back of a room cut into the loess while Khulan scrapes the loose earth into a hide, and Oyuna watches from a folded hide at the mouth.

The cut

The Windbreak band had a shelter in the bank from last winter. Now they were cutting it again: deeper, wider, the walls shaved clean.

Khulan had never dug anything bigger than a fire pit. Her people didn't. You don't dig when you're leaving in three days.

Bayar handed her a shoulder blade with the edge worn smooth.

“You scrape. I'll loosen.”

He swung the antler pick into the face of the bank and the loess came away like old bread. She scraped it into a hide and someone carried it off. Then again. Then again. The whole band worked in turns, and nobody hurried, and nobody stopped.

Old Oyuna sat on a folded hide at the mouth of the cut, out of the wind, watching.

“Don't make it bigger,” she said to Khulan. “Make it better.”

“What's the difference?”

“A cut you've dug twice is worth more than any new ground.” Oyuna nodded at the wall. “Feel it.”

Khulan put her palm flat on the fresh face. It was cool on the surface and, underneath, faintly warm, like a sleeping animal.

“It keeps the day,” Oyuna said. “Every year it keeps a little more.”

By dark, the room went back a body-length into the bank. They lashed hides across the timbers at the mouth. When Khulan stepped inside, the wind was simply gone. Her ears rang with the quiet.

She lay awake a long time that night, listening to it not blow.

Inside the shelter, Oyuna twirls a stone-tipped drill through a white eggshell disc while Khulan, beside her, holds the two halves of a disc that has just split.

Winter

Drilling

When the cold came, the Windbreak band didn't go anywhere. That was the whole idea.

Oyuna had a basket of eggshell, the curved white pieces the wind kept turning up on the open ground. In the short winter days she ground them into rough discs against a flat stone, then sat with a stone-tipped drill between her palms and bored a hole through each one, slowly, her breath steaming.

“You try,” she said.

Khulan's people carried eggshell too, but whole, for water. Nobody in Longstride had time to sit still long enough to drill a hole through anything.

She ground a disc. She set the point. She turned the drill.

The disc split in two.

“Again,” Oyuna said.

The second one cracked at the edge. The third went to powder. The fourth held until the very end and then snapped across the hole, which was worse.

Oyuna didn't comment. She went on drilling her own, one after another, each one coming out round and whole, like it was the easiest thing in the world.

That night Khulan put the broken pieces in a small pouch and pushed the pouch under her bedding where nobody would see it.

By midwinter the pouch was full.

During a dust storm, Bayar sits beside Khulan against the back wall of the shelter, holding out a small pouch, with pieces of broken eggshell spilled on the floor between them.

Dust

The storm came on the wind from the north and stayed for four days. Fine yellow grit got into everything: food, hair, the corners of your eyes. Nobody went out. There was nothing to go out for.

Khulan sat against the back wall and thought about where her people were. Somewhere south, walking. They'd be cold and hungry and moving, and her mother would be complaining about her knees, and Saya would be telling everyone a story she'd already told.

She missed them so much her chest hurt.

Bayar sat down beside her. He had the pouch in his hand.

“This was under your bed,” he said. “I thought it was food.”

She took it from him too fast. A few pieces fell out onto the floor between them, white against the trodden earth.

He picked one up and turned it over. “Are these yours?”

“They're nothing.”

“There are a lot of them.”

“I know how many there are, Bayar.”

He was quiet for a while. Outside, the wind pushed at the hides.

“Mine broke too,” he said. “When I was learning.”

“You were a child.”

“I was eleven. I threw them in the fire.” He put the piece back in the pouch. “Oyuna was furious. I never understood why.”

A small niche cut into a loess bank, its back wall white with hundreds of eggshell shards pressed in edge-on and three whole eggs standing at the back. Oyuna and Khulan kneel at the niche, Khulan holding her pouch in both hands.

The wall

When the storm cleared, Oyuna asked Khulan to walk with her. She wanted to show her something, she said. She didn't say what.

They went along the bank, past the band's shelters, to a place where the loess had been cut into a small niche, just big enough for three people kneeling. The ground outside it crunched under their feet.

Khulan looked down. The ground was white with shards.

Then she looked at the wall.

The whole back of the niche was studded with pieces of eggshell, hundreds of them, pressed into the soft face edge-on, so they caught the low light. Broken discs. Cracked blanks. Beads split clean through the hole. At the very back, where the light didn't reach, three whole eggs stood upright.

“What is it?” Khulan said.

“Everything that didn't work.” Oyuna lowered herself onto her knees with a grunt. “Everyone who ever sat and tried. My mother's are in there. Mine are.”

“Which ones are yours?”

Oyuna looked at the wall for a while.

“I don't know anymore,” she said. “That's the point.”

Khulan held the pouch in both hands. She thought about Bayar throwing his into the fire, and about Oyuna being furious.

She opened it. She found a place, turned the first broken disc until its edge sat flush, and pushed. The loess took it.

Then the next one. Then the next.

Oyuna didn't help, and didn't watch. She just knelt there beside her until the pouch was empty.

Close up, Khulan presses a broken eggshell disc edge-on into the loess wall among hundreds of others, her open pouch in her other hand.

When Khulan stepped back, she couldn't tell which ones were hers.

In the doorway light of the shelter, Khulan holds up her first strand of small red eggshell beads while Bayar looks at it.

A red strand

She kept drilling. It didn't get easy. But some of the discs started to hold, one in five, then one in three, and the ones that broke went into a new pouch and then into the wall, and nobody hid anything.

Near the end of winter, Oyuna showed her how to finish them. You rub ochre into the discs until they go deep red, and you thread them close on sinew.

Khulan held up her first strand in the doorway light. Twenty-two beads. Not quite even. They sat in a row like small red suns.

Bayar looked at it for a long time.

“People will know where that came from,” he said.

“Because it's uneven?”

“Because it's from here.”

In spring, a line of ostriches and a line of people walk in across the plain while Khulan half-runs down the bank toward them and Bayar watches from the top.

Spring

When the birds came back

In spring, the ostriches came back across the plain, and her people came after them.

Khulan saw the dust of them first, then the line of birds, then the line of people. She was down the bank and running before she'd decided to.

Saya got to her first and nearly knocked her over. Her mother held her face in both hands and looked at it, the way you look at something to make sure it's the same.

“You're thin,” her mother said.

“Everyone's thin in spring.”

They camped for two nights. Khulan told them about the cut, and the four-day storm, and how the walls stay warm. Saya didn't believe that part, so Khulan took her into the shelter and put her hand on the wall.

On the second morning, while the Longstride people were tying their packs, Khulan gave Saya the red strand.

Saya turned it over in her fingers. “You made this?”

“Most of it broke first.”

Saya put it on. Then she looked at her sister, and Khulan knew what she was going to say before she said it.

“There's still room in the line.”

Saya touches the red eggshell bead strand now at her throat while Khulan stands close in front of her, smiling a little sadly.

Khulan looked past her, at the bank and the dark mouths of the shelters. Bayar was at the top, pretending not to watch. Somewhere along from him, in a niche you could hear before you reached it, her broken pieces sat in the wall with everyone else's.

“I know,” she said. “I'm staying.”

Saya nodded slowly. She touched the beads at her throat.

Then the ostriches moved, and the people moved after them, and Khulan stood on the bank and waved until they were the size of the birds.

She went back down. There was a new disc waiting on the flat stone.

Your own life here

Here, the year comes to you.

As a child here, one of the old ones sits you down and walks you through the year, camp by camp. This is the Staying Year, they say.

“Other people chase. We dig in and let the year come to us. A cut you have dug twice is worth more than any new ground.”

An elder, on a card you meet as a child on the East Wind Plains
Nobody scatters for the summer here. The band stays together all year, and the herds and the birds come past.
  1. Spring - The Hungry Season

    Stores gone, thaw not come. Carry the weak to the green.

    • First Greensbounty
    • Bird Eggsbounty
    • Mudslidethreat
  2. Summer - The Long Light

    Long days, full hands. Lay in all you can.

    Nobody scatters. The band stays together.

    • Wild Onion Bedsbounty
    • Marmot Warrenbounty
    • Dry Waterholesthreat
  3. Autumn - The Great Hunt

    Store hard against the dark. The fat survive the lean.

    • Seed Headsbounty
    • Tan the Hidesbounty
    • Cave Lionthreat
  4. Winter - The Long Dark

    The cold, the dark, the long sickness. Endure it together.

    The band sits it out in its cuts.

    • Winter Harebounty
    • Bitter Coldthreat
    • Wolf Packthreat

Each season is a board of threats and bounties. You decide who in your band meets each one.

Winter dusk on the loess: rooms cut into the face of a frosted bluff, roofed with hides over timbers, firelight glowing in the central room while two people carry a hide bundle on a pole and a third walks beside them.

Only on the open loess

Cut a loess shelter.

“Cut a room back into the loess bank and roof the mouth with 8 hides - a warm place out of the wind the band returns to through the cold.”

There’s no mammoth bone here to build with, so the band digs. Cut it in autumn before the ground hardens, or as the band settles in for winter. Once it’s cut, it’s on your winter board as a place to shelter.

The loess gives you eggshell too. Gather the shards the wind uncovers, string them into red beads, and press the ones that break into the band’s shrine wall.

This part is real. Ostriches lived on these plains. At Shuidonggou, in the Ordos, archaeologists have found ostrich eggshell beads more than 30,000 years old, drilled and colored with red ochre.